Harry Hayes

by Harry Hayes

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1.
She's sat in the cornfield She's sat in the cornfield and she said please don't go I'm not in the cornfield I'm not in the cornfield Then I said I hear her go Clean my hands too much Oh just treat her like any other I'm out in the cornfield I'm out in a cornfield Near the cats, the goats and the dogs Near the cats, the goats and the dogs I'm out in the cornfield I'm out in the cornfield She said please don't go
2.
There's no longer a peace to be slain, 'cept In that god damn east wind So out with the swaddling clothes Changing our face to the sweetest thing I don't where to begin with you anymore It's like the life that I'd led's out my door But it's not the crying I've lacked, with you I don't wanna leave The devils that parade and condition are struck by your hips, they're done Finished by the hour that's up (they heave) Kiss your feet and then flee I don't where to begin with you anymore It's like the life that I'd led's out my door But it's not the crying I've lacked, with you I don't wanna leave//with you I don't where to begin with you anymore It's like the life that I'd led's out my door But it's not the crying I've lacked, with you
3.
Swum by 03:16
It's always the same every time you've gone away Trips on the shore when I don't want them anymore Full - its been too many days that you've wanted to stay She lives off the tide when you shouldn't need it anymore
4.
I could wait a while here with you, Angeline Although our moment has been traded by you for another Yes it's true, the evening is darker than we could have known But there is feeling blue, and there is holding you - if only you'd want me to But why am I so lonely loving you I thought that a body's a body that's true It shouldn't be a burden - my dreams Or any other chance to be free There's something amiss in the way you smile, no longer adhere sweet denial But there is a man in me, that wants you Angeline, if only you'd want him too So why am I so lonely loving you I thought that a body's a body that's true It shouldn't be a burden - my dreams Or any other chance to be free
5.
Hello piper, I like the way you open nature Oh let us peel down to the dew for some of those south-bathing blues For lady siren waves her wand, you've here far too long My old sheets, with beaten red beneath our feet Lets us rest our wheezy heads, soon to be hanged Up above in an apple tree swung by the pools of revelry Each fall of the fruit is a nod to warn friend Wavered either side of the water by our fine lady Who says she lays her to soul; seed and stone doled in the same pew
6.
How divine; again you mend the creases that wrecked upon this shore - I couldn't smooth them anymore Is it fortune that mists the love in our eyes? Or a dream with a fool as loose I? Oh how you sniffed the earth in days of the old - couldn't win them anymore Would you lie to me low on the breeze? But maybe now, maybe now you'll find a way How divine; you will all the willows to whisk upon your land - couldn't seem to stall The march of your people or grains of the soul? Maybe now, maybe then, you'll see the light Bring me home Bring me home
7.
Home, there's cracks upon the walls Spoils in the halls left for anybody left Chatter caught in the chimney breast My friend - the animal - sits at the top Doing as she does well, enjoying an evening But how's it so true that time will get the best of you? Damp - my mood and my room There is life growing in the window Funny - ha ha and very strange, how quickly things have changed Things I will miss a lot I'll do as she does well, enjoying the evening But how's it so true? Time will get the best of you But how's it so true? Time will get the best of you
8.
It seems our season has died, embarrassed and harassed Or now buried in the dirt Oh you know it still hurt, it's like the hours roll by Or dance and jest Watch us fold, watch us fold There's a nod for the hangman, leeched or bandaged he's on the wall He sees me and cheats again Says I've known no finer lie than to be with you But we must be Here again, here again Is that your voice through the doorway? That moves with creaks on the floor You know I have tried and misunderstood your doubt Theres no form to my will anymore It's like we do and then just don't anymore It's like we do and then we don't anymore

about

This record presents just a short glimpse into the songwriting prowess of Harry Hayes. Conceived, born, nursed, raised and sculpted in the historical Kentish cornerstone of Canterbury; there are few modern songwriters who could match the pure technical craftsmanship that Hayes possesses.

Though much of his songwriting can often be considered somewhat complex, with his composition's typically endless stream of chord progressions that stem heavily from his essentially unhealthy obsession with prog rock; Hayes' writing never fails to resonate primarily on a deeply emotional level. His melodies lilt weightlessly at the very summit of one's soul. Calling from the vast canon of pop impressionism, Hayes' songs stray just enough from where cliche would have them land to always, invariably capture the listener's full attention.

Recorded at home and in various community spaces, this record is not only a huge credit to Hayes' skills as a recording engineer and producer but also as an extremely talented multi-instrumentalist (I mean listen to those guitar solos, pwwwah) and of course as a songwriter.

Harry Hayes' sweet melodious roar soars so high that even the immortal gods of Olympus shall too relish in its sonic delights.

credits

released January 9, 2023

All tracks written by Harry Hayes, except for Track 1, written by Maximum Martin.

Harry Hayes: Guitar, Bass, Drums, Piano, Vocals, Mixing, Production
Grace Bailey: Bass (Track 5)
Fergus Baynes: Bass (Track 4), Guitar (Tracks 5 & 8), Harmonica (Track 8)

Mastered by Graham Nunn
Artwork by Fergus Baynes

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Bramling Records Brighton, UK

Independent label cataloguing folk featurettes, pop curios and rock-xotica.

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